Rane TTM 57SL Manual del operador descargar pdf (Pagina 44)

P2 Resonance / Depth

Resonance is adjusted using the primary

function of P2 (indicator off). The diagrams

show the different resonances for each

Filter type.

LP and HP Filter Resonance determines

how peaked the cutoff is, which is

adjustable over a range of 0.7 to 3.0.

BP Filter Resonance determines the

width of the peak, which is adjustable

over a range of 0.7 to 3.0.

Depth is adjusted using the second

function of P2 (green indicator on).

Depth sets how far the sweep of the

LFO (low frequency oscillator) modulates

the Frequency set by P1. The Depth is

adjustable ±4.5 octaves. The full range is

reached in 1

1

/

3

rotations of P2. With Depth

at minimum, the LFO ceases to have any

effect, and P1 becomes a manual sweep

control.

J2

Wet / Dry Mix

Pressing J2 toggles between transform

operation (indicator off) and Wet / Dry

control (green indicator on). The lter

default is 100% wet. Holding the joystick

left goes more Dry, to the right goes more

Wet. Moving the joystick up provides

instant, momentary 100% Wet. Moving

the joystick down provides instant,

momentary 100% Dry. This allows Wet or

Dry transforming with the control returning

to the set Wet/Dry ratio when the control

is at rest (in the center).

Phaser / Flanger

Control Assignments

Phasing is a swept comb-lter effect with

no linear harmonic relationship between

the comb teeth. Splitting an audio signal

in two, shifting the phase of one signal by

passing it through an all-pass lter, then

recombining, creates the phasing effect.

The control response is shown below.

GROUPDECK

P1 P2

J1

B1 B2

12

B3 B4 B5 B6

J2

PROCESSOR 1

PHASER FREQ

or FLANGER DELAY

FEEDBACK

DEPTHTAP BPM

PROCESSOR 2MULTIPLIER

PGM 1 PGM 2 AUX B MAIN ON ON

INSERT POINT CUE EFFECT

ALL WET

MORE

DRY

ALL DRY

MORE

WET

1

3/4

1/4 8

2

1/2

16

4

P1

•

Frequency

All-pass ﬁlter

31.5 Hz 16 kHz

Sweep

•

P2P1

•

single tap

BPM sync

point,

multiple

taps to

set BPM.

Depthmin

•

P2

Feedback

range = 0 to 100%

B6

•

on

A Flanger creates a unique “yover”

sound by creating a set of equally spaced

notches in the the frequency spectrum in

a linear harmonic comb lter. This is done

by mixing a signal with a slightly delayed

copy of itself and by constantly changing

the length of the delay.

Both effects use an LFO to cause the

comb peaks and notches to sweep up

and down the frequency spectrum.

P1

•

Base Delay

Base Delay

Delay

0 se

c1

1.6 ms

P2

•

Delay Depth

Sweep

P1

•

single tap

BPM sync

point,

multiple

taps to

set BPM.

•

P2

Feedback

range = 0 to 100%

B6

•

on

RANE TTM 57SL MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4

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